More than just a fixture, it’s a storyteller
Martin MAC Encore Two
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Evolves the Legend to Elevate Stage, Broadcast, and Touring with Breathtaking Realism
MAC Encore Two from Martin Professional redefines performance lighting for contemporary stage, broadcast, and touring environments. More than just a fixture, it’s a storyteller—breathing life into every scene, gesture, and emotion. Whether illuminating the subtle contours of a performer’s face or painting a set with true to life color, MAC Encore Two captures skin tones and scenic detail with breathtaking realism, making it an essential fixture when every nuance matters.



As a single, fully featured evolution of the Martin MAC Encore lineup, MAC Encore Two maximizes ROI and streamlines inventory management for installed and rental applications alike. It features a proprietary 760 W LED white light engine, producing 21,000 lumens—a 75% increase over its predecessor. This translates to advanced optical performance and a beautifully rich 5,600 K neutral white output.
Despite its remarkable output, MAC Encore Two is quieter than MAC Encore, making it ideal for noise sensitive theater, broadcast, and corporate environments. Selectable output levels with noise optimization ensure performance can be tailored to demanding acoustic conditions.
Features

HIGH OUTPUT WHITE LIGHT ENGINE
Delivers 21,000 lumens – a 75% increase over MAC Encore – with a preferred 5,600 K neutral white output and stable color temperature for demanding stage, studio, and broadcast environments.

RAZOR SHARP OPTICAL SYSTEM
High‑definition optics maintain uniform beam focus across the entire projection field for precise gobo projection and stunning theatrical effects.

EXCEPTIONAL COLOR ACCURACY
With native TM 30, TLCI, and CRI scores over 90 and all boosted to 95 with the integrated Spectrum Enhancement Filter, MAC Encore Two delivers rich, natural rendering across the full color spectrum.

FULL FEATURED EFFECTS PACKAGE
Two gobo wheels (7 rotating and 11 static) plus a redesigned CMY system for saturated color mixing, dual frost with heavy frost available across the entire zoom range, and light recycling for increased output with gobos.

EXPANSIVE ZOOM AND INTENSITY
1:10 zoom range (5°–54°) with a 150 mm front lens and up to six times the intensity at narrow compared to MAC Encore, making it ideal for follow‑spot use and long‑throw applications.

QUIET PERFORMANCE MODES
Ultra‑low noise operation – even quieter than MAC Encore – with selectable output/noise optimization modes, making MAC Encore Two ideal for the most demanding noise‑sensitive theater, TV, and corporate environments.
Native CRI, TM-30, and TLCI of 90 (boosted to 95 with Spectrum Enhancement Filter)—MAC Encore Two’s enhanced CMY system produces saturated colors with superior depth, especially in amber and yellow, while maintaining pure white on the blackbody curve.



The 1:10 zoom system (5°–54°) and 150 mm front lens deliver up to six times the intensity of MAC Encore at its narrowest beam, making MAC Encore Two a perfect choice for long throw applications. High lumen maintenance, razor sharp optics, and precise gobo framing ensure consistent, high definition projection.
MAC Encore Two includes two gobo wheels (7 rotating and 11 static) plus a dual frost system available throughout the zoom range. Highly responsive and smooth pan/tilt movement and high resolution, low level dimming make it ideal as a key light or automated followspot. Despite its expanded capabilities, MAC Encore Two’s 36 kg footprint integrates easily into existing rigs, offering a best in class weight to size to output ratio. An array of control options includes DMX, Art-Net, sACN, and Martin P3.
Whether the moment calls for powerful lumen output, precision color rendering, or whisper quiet operation, MAC Encore Two doesn’t just light the stage—it elevates the story, helping creators shape atmosphere, emotion, and unforgettable experiences.
Specification

Physical
Width (across yoke): 479 mm (18.9 in.)
Width (base): 429 mm (16.9 in.)
Height (head straight up): 758 mm (29.8 in.)
Height (maximum): 776 mm (30.6 in.)
Length (head): 596 mm (23.5 in.)
Depth (base): 275 mm (10.8 in.)
Minimum center-to-center distance in side-by-side installation: 720 mm (28 in.)
Weight: 36.8 kg (81.1 lbs.)
Dynamic Effects
Dimmer/Shutter: 0 – 100% continuous dimming, regular and random strobe, instant open and blackout
Dimming options: Choice of four dimming curves
Color Mixing: CMY, independently variable 0 – 100%
Physical Color Temperature Control: Variable 5,600 – 2,600 K
Virtual Color Temperature Control: Variable 2,000 – 12,850 K
Virtual Tint Control: Variable green-magenta shift Δuv -0.05 – +0.05
Color Wheel: 5 dichroic filters (incl. Spectral Enhancement Filter) + open, indexing, shake, continuous wheel rotation & random color
Rotating Gobo Wheel: 7 interchangeable gobos + open, indexing, shake, continuous rotation, continuous wheel rotation & random gobo
Static Gobo Wheel: 11 gobos + open, indexing, shake, continuous wheel rotation & random gobo
Gobo Color Temperature Correction: Automatic
Animation Wheel: Interchangeable animation wheel, indexing, shake, bounce, continuous rotation & variable wheel insertion angle
Light Frost: Variable 0 – 100%
Heavy Frost: Variable 0 – 100%
Prism: 4 Facet, indexing, shake & continuous rotation
Iris: Variable 0 – 100%, opening and closing pulse effects
Zoom: Motorized with 1:10 zoom ratio
Focus: Motorized, range varies with zoom angle, from approx. 4.5 m (14.8 ft.) to infinity, including focus tracking
Framing: Rotatable framing module, +/- 83°, 4 x individually controllable full curtain blades with full variable angle (+/- 30°) through the entire insertion path from 0 – 100%
Pan: Motorized 540°
Tilt: Motorized 268°
P3 Mix: Videomapping of fixture color and/or intensity with variable crossfade between DMX control and video control
PixelMapping: Individual control of each of the 6 LED Segments
Pre-programmed effects: Two ranges of FX, independent or synchronized/combined
LED Frequency control: Variable LED PWM control
Control and Programming
Control Protocols: DMX, RDM, Art-Net, RDM over Art-Net, sACN and Martin P3 (additional protocols, incl. wireless, available via Universal Connect Module)
Protocol Detection: Automatic
DMX Modes: Basic, Extended & Ludicrous
DMX Channels: 52, 62 & 68
Multi-Universe Overflow: Yes, in all DMX Modes
16-bit Controllable Parameters: Dimming, Color Mixing, CTO, Gobo Indexing and Rotation, Animation Wheel Indexing and Rotation, Prism Indexing and Rotation, Iris, Zoom, Focus, Framing Insertion and Angle, Framing Rotation, Pan and Tilt
Setting and Addressing: Display Menu, NFC, RDM, RDM over Art-Net or Martin P3
Local User Interface: Backlit LCD Display with battery-powered operation and integrated NFC antenna
Fixture identification: User-settable ID number
DMX Compliance: USITT DMX512-A
RDM Compliance: ANSI/ESTA E1.20
Art-Net Compliance: Art-Net 1, 2, 3 and 4; including RDM over Art-Net
sACN Compliance: ANSI E1.31 – 2018
Martin P3 Compliance: P3 System Controller Software 5.1.0 or newer
DMX/RDM Transceiver: Galvanic-isolated RS-485
DMX/RDM Daisy-Chain Limit: 32 fixtures
Ethernet Transceiver: 10/100Mbit (with fail-safe bypass)
Ethernet Daisy-Chain Limit Recommendation: 50 fixtures
Firmware Update: via USB type C memory device, via DMX using Martin Companion or via Ethernet using Martin Companion / P3 System Controller
Optics
Front Lens Diameter: 150 mm (5.9 in.)
Zoom Range: 1:10
Full Zoom Range at Tenth Peak (Field Angle): 5.7° – 54.0°
Light Source: 55 x 18 W High Light Quality White LED in a custom Martin engine
Max. Total LED Engine Power: 760 W
Minimum LED lifetime: > 50.000 hours (to > 80% luminous output) / > 20.000 hours (to > 90% luminous output)*
*Figure obtained under manufacturer’s test conditions
Photometric Data
Light Engine Luminous Output: 57,000 lumens
Without Spectral Enhancement Filter
Fixture Luminous Output Wide: 21,000 lumens
Peak Luminous Intensity Narrow: 2,000,000 cd
CCT: 5,600 K (+/- 300 K)
CRI (Color Rendering Index): 90 (+/- 3)
CQS (Color Quality Scale): 88 (+/- 3)
TM-30 Rf (IES TM-30-15 Fidelity Index): 90 (+/- 3)
TM-30 Rg (IES TM-30-15 Gamut Index): 100 (+/- 3)
TLCI (Television Lighting Consistency Index): 90 (+/- 3)
With Spectral Enhancement Filter
Fixture Luminous Output Wide: 13,600 lumens
Peak Luminous Intensity Narrow: 1,300,000 cd
CCT: 5,600 K (+/- 300 K)
CRI (Color Rendering Index): 95 (+/- 3)
CQS (Color Quality Scale): 91 (+/- 3)
TM-30 Rf (IES TM-30-15 Fidelity Index): 95 (+/- 3)
TM-30 Rg (IES TM-30-15 Gamut Index): 100 (+/- 3)
TLCI (Television Lighting Consistency Index): 95 (+/- 3)
LED Refresh Rate: 2,400 Hz with fine adjustment (+/- 2%) and Hybrid mode (DMX controllable)
Binning: Tight color and flux binning
Calibration: Full Gamut Color Calibration
Color Modes: Direct Color Mode, Extended Gamut Mode and Calibrated Color Mode
*All Photometric Data measured at 5,600 K white
*All Photometric Data measured in steady state (30 minutes warm-up time) at 25°C ambient
Construction
Housing: High-impact flame-retardant thermoplastic
Color: Black
Protection rating: IP20
Gobos
Maximum image diameter: 22 mm (0.866 in.)External diameter: 27.1 mm +0 / -0.2 mm (1.067 in. +/ – in.)Maximum gobo thickness: 1.1 mm (0.04 in.)Coating: Heavy matted aluminumMaterial: Borofloat 33
Installation
Mounting points: 2 pairs of 1/4-turn points for 106 mm (4.17 in.) center-to-center omega brackets
Location: Dry location only, must be fastened to surface or structure
Orientation: Any
Minimum distance to combustible materials: 0.2 m (8 in.)
Minimum distance to illuminated surfaces: 3.25 m (10.7 ft.)
Connections
AC mains power in/thru: Neutrik Rean powerCON TRUE1
DMX and RDM data in/thru: Neutrik 5-pin locking XLR
Ethernet (Art-Net, sACN and Martin P3) in/thru, including fail-safe bypass: Neutrik etherCON
Firmware from flash memory: USB 2.0 type C port
Accessory Plug-In: Universal Connect Module Slot
Electrical
AC power: 100-240 V AC nominal, 50/60 Hz
Power supply unit: Auto-ranging electronic switch mode
Typical half-cycle RMS inrush current at 230 V, 50 Hz: 17 A
Typical earth-leakage current: 0.7 mA
Power Factor: 0.99 @ 100 V / 120 V / 208 V / 230 V , 0.98 @ 240 V
Max current draw: 11.0 A @ 100 V / 120 V , 5.2 A @ 208 V , 4.6 A @ 230 V / 240 V
Typical current draw: 9.5 A @ 100 V , 7.8 A @ 120 V , 4.4 A @ 208 V , 4.0 A @ 230 V , 3.9 A @ 240 V *
Power Consumption
Maximum: 1040 W
Typical: 945 W *
Idle: 68 W *
Hibernation: 6 W *
*Measurements made at nominal voltage. Allow for a deviation of +/- 10%.
Typical: full output white, no effects moving, regulated fan speed.
Idle: no output, no effects moving, regulated fan speed.
Hibernation: no output, motors de-energized, fans stopped, wake-up procedure to re-use fixture.
Thermal
Cooling: Forced air (temperature regulated, low noise, user-definable levels)
Maximum ambient temperature (Ta max.): 40° C (104° F)
Minimum ambient temperature (Ta min.): 5° C (41° F)
Maximum surface temperature, steady state, at 40° C ambient: 80° C (176° F)
Total heat dissipation (calculated, +/- 10%): 3550 BTU/hr.
Acoustic Data
Sound Pressure Level (LpA) @ 1 m (regulated high fan mode, full output): 36.2 dB(A)
Sound Pressure Level (LpA) @ 1 m (regulated medium fan mode): 31.7 dB(A)
Sound Pressure Level (LpA) @ 1 m (regulated low fan mode): 27.6 dB(A)
Sound Pressure Level (LpA) @ 1 m (regulated ultra-low fan mode): 27.2 dB(A)
Warranty
Fixture: 2 years
Light Engine: 5 years
Environmental
RoHS: Compliant
REACH: Compliant
WEEE: Compliant
Proposition 65: Compliant
Packaging: FSC Certified cardboard outer packaging & Recycled EPS inner packaging
Efficacy (max output): 22.2 lm/w
LWR*: 580 lm/kg (262 lm/lbs.)
LWR = Lumen-to-Weight Ratio
Approvals
Global CB Certification/IECEE: IEC 60598-2-17 (IEC 60598-1)EU safety: EN 60598-2-17 (EN 60598-1), EN 62471, EN 62493EU EMC: EN 55015; EN 55032; EN 55035; EN 61547; EN 61000-3-3US safety: UL 1573US EMC: FCC Part 15 Class BCanadian safety: CSA C22.2 No. 166Canadian EMC: ICES-003 Class B, ICES-005 Class BAustralia/NZ: RCMUnited Kingdom: UKCAThailand: TISI 1955-2551
Included Items
Two omega brackets with 1/4 turn fasteners for rigging clamp attachment
Multi-langugage Safety and Installation Manual
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