Description
The 4006 Omni Mic offers total transparency in any recording situation. It picks up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise-floor and linear frequency response from 10 to 20 kHz (±2 dB).
Features
- Acoustic authenticity
- Linear throughout a large frequency bandwidth
- Detailed and natural reproduction
- High sensitivity and low noise floor
- Excellent for concert halls and spot miking acoustical instruments
- Modular flexibility
Models
4006A Omni Mic
This is a very flexible solution. Engineers, broadcasters and musicians alike can achieve clean, natural and precise sound reproduction. This omnidirectional condenser mic is ideal for A-B stereo pairs for symphonic concert hall recordings. It also excels on vocals, for close miking all types of instruments.
A wide selection of accessories is available, including acoustic pressure equalizers, a nose cone and interchangeable protection grids. These accessories can acoustically transform the mic. By changing grids, it is possible to gain several unique frequency responses and directional characteristics. Furthermore, these accessories will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.
4006C Compact Omni Mic
Whenever a small, lightweight and inconspicuous microphone for top-quality recording is required, the 4006C Compact Omni Mic is the perfect choice. The mic design is compact and clean.
This is a very versatile recording microphone. It is popular as an A-B stereo pair in concert halls where quality recordings can sometimes be compromised by classic architecture. The mic can be mounted, hung or concealed to create clean, transparent recordings.
It is ideal for use in theatres, opera houses, concert halls and houses of worship – anywhere there is a live audience. It can also be for film recordings, both in the studio and on location. Musicians like to use this omnidirectional condenser microphone to close mic some instruments, such as the double bass, trumpet and piano. At the same time, they are fantastic for ambience miking on soundstages, in sports stadiums and other environments where audience sound needs to be recorded.
4006E Omni Mic
When small, lightweight and barely visible microphones for top-quality recordings are required, the active cable design and clean, transparent sound of our ultra-compact 4006E Omnidirectional Microphone makes them the perfect choice. The mic features an integrated cable solution with either side (4006ES) or rear (4006ER) cable entry.
These omnidirectional condenser mics are particularly popular as A-B stereo or Decca Tree pairs in concert halls. The SM4000 Suspension Mount is included in the package, allowing the mic to be hung from the ceiling to create precision spot-miking of orchestra sections or ambience atmosphere.
This solution is ideal in theatres, opera houses, concert halls or houses of worship and for film applications, both in the studio and on location. These mics are also popular for ambience miking on soundstages, in sports stadiums and other environments where ambient sound needs to be recorded.
The 4006ES replaces the non-modular legacy 4051 Omni Condenser Mic and the 4006ER replaces the non-modular legacy 4052 Omni Condenser Mic.